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EVAN MARCUS
From an early age, Evan Marcus has been heavily influenced by music
through both sides of his family. At 15 Evan started his pursuit into
the world of electronica by listening and gaining inspiration from
greats such as Aphex Twin, Beethoven, BT, Chemical Brothers, David Bowie, Moby, Pink Floyd, John
Digweed, Paul Van Dyk and Paul Oakenfold to name a few. In 1996 Evan
began experimenting with various synths and hardware such as the Alesis
QS6, Roland JP-8080, Roland MC-303, & Korg Electribe. Working with
different hardware and software combinations helped Evan to experiment
with a variety of sounds and musical elements which in turn helped form
a ruthless addiction people call "being an artist".
In 1997 Evan picked up his first decks, 2 Technic SL1200-M3D’s and a
rusty old mixer. From there Evan’s first djing experiences took place
from bedrooms to attics and eventually migrated to house parties and
underground festivals. Between
the years of 1997-2000, Evan
started producing music with future label partner Dirk Bajema under a
variety of different aliases like Acid Revolution, Sonic Theory and D Bajema & Evan Marcus
.
In 2002, Evan’s track entitled " Ten Feet From Heaven"
gained major attention from multiple big name labels and djs. Jonathan
Lisle and Chris Fortier were the first to support it. 12" promos were
pressed and sent out to a handful of industry professionals. Shortly
after doing that, "Ten Feet From Heaven" was played by John Digweed on
KISSFM.
Remix opportunities have opened up since then and it has given Evan the
ability to bring new material to the table and define his sound. Evan’s
unique style is getting more and more recognized in each new
production. "Music is my psychiatrist," says Evan. "Making music based
on my life situations has helped relieve a lot of tension. Music is how
I express myself, whether through good times or through bad." Evan is
currently busy in the studio working hard on new material and has
multiple releases due out in 2009 and beyond.
Besides producing, Evan is also focused on Hunya Munya Records which he
started with fellow producer & audio genius Dirk Bajema. Like so many others, the co-producers of 6 years, wanted to
create their own trademark foundation on which to release quality
music. The time span has developed into not featuring an immense
quantity of tracks, but those only of sheer quality; those that "blow
you away" creating an everlasting impact with the ear that caters for
such a sound.
With electronic music becoming a huge part of their lives, they wanted
to put something back into the industry that had shepherd' them to this
stage of knowledge and understanding. Support has been increasing
internationally, which has help raise the profile from back-street to
forefront.